Syllabus - Intensive 16mm Production
New School For Social Research

Instructor: Joel Schlemowitz
email: schlemoj@newschool.edu


New School Film Production Office: (212) 229-5899



This course is designed to introduce the student to filmmaking through hands on training. It covers the necessary skills needed in the production of a non-sync film from concept to completion. This includes screenwriting; working with the Bolex camera; the deciding on the right filmstock for the project; knowledge of continuity, coverage and composition; lighting; working with the laboratory; analyzing the success of the dailies screened in class; logging footage; editing; sound editing; and preparing for the negative cutter and the final print.

Students must develop, write shoot and edit a short non-sync film outside of class time, using equipment reserved by the students through the New School Film Production Office. Students are encouraged to work together on each others films.

Credit students must write a 2 page paper on one of three possible topics assigned session 8 and due session 10.


COURSE REQUIREMENTS:
Write 1 page scenario for a short (3 to 6 minute) film
Write 3 to 6 page script
Shoot short film outside of class time
Edit short film outside class time
Screening of footage from project in class
Attendance and participation in group in-class shoots

2 page written assignment (credit students only)
4 take home quizes (credit students only)



Required Reading:
New School Film Production Handbook
Cinematography by Kris Malkiewicz, Simon & Schuster, 1992


Suggested Reading:
The Filmmaker’s Handbook Edward Pincus and Steven Ascher;
Plume/Penguin
The Complete Guide to Standard Script Formats, Part I: The Screenplay Hillis Cole and Judith Haag; CMC Publishing, 1991
American Cinematographer’s Handbook
Eastman Kodak Motion Picture Films Kodak Publication No. H-1
Motion Picture Camera Techniques David W. Samuelson; Focal Press, 1979


Filmmaking Study Aids on the Web by the Instructor:
http://cepa.newschool.edu/~schlemoj/film_courses

(If you do not have web access please talk to me about getting a copy of the Bolex and Seconic study aids)



SESSION 1

Introduction

Review of course requirements

Lecture topic:
An introduction to 16mm film

In-class exercise:
Loading and working with the Bolex

Discussion topics:
The script
What makes a good short film.

Lecture topic:
Lenses and exposure

Discussion topic:
Filmstocks and general procedures

In-class exercise:
using the light meter

Reading assignment:
The New School Film Production Handbook

Assignment for next week:
Write both a shooting script and a one page scenario of the film you plan to shoot.


SESSION 2 - scenarios and scripts due

Students read scenarios

In-class exercise:
Bolex and light meter review session

In-class exercise:
Camera exercises


SESSION 3

Scripts returned with written suggestions

Screen and discuss:
Camera Exercises footage

Discussion topic:
Coverage, Continuity and Composition

Discussion topic:
Lighting

In-class exercise:
Lighting Workshop


SESSION 4

Screen and discuss:
Lighting Workshop footage

Screen student dailies

Lecture topic:
The Laboratory

In-class assingment:
Students collectively write script for a short film for in-class demonstration of editing.


SESSION 5

Screen student dailies

In-class exersise:
students shoot short film


SESSION 6

View student dailies

Lecture/demonstration:
An introduction to editing

In-class exercise:
The splicer, the editing bench
Logging footage



SESSION 7

In-class exercise:
The flatbed

Discussion topic:
the aesthetic princbles of editing



SESSION 8

Students show rough cuts

Critique of work

Lecture topic:
An overview of sound

In-class exercise:
Using the Sony TCD5-M Cassette Recorder


Credit student assignment:
2 page paper due session 10, on one of three possible topics, T.B.A.


SESSION 9

Students show rough cuts

Critique of work

Demonstration/In-class exercise:
Building tracks and preparing for the mix


SESSION 10 - papers due

Guest Artist visits

Disscusion topic
the final steps: negative cutting, the mix, etc.


SESSION 11

Students show fine cuts with sound

Discussion topic:
Producers, Distributors, film festivals


SESSION 12

Students show fine cuts with sound

Discussion topic:
Where to from here?



[Back to Joel Schlemowitz 16mm Film Production Main Page]